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Burton Holmes is one of the lesser-known figures in film history, yet he did much to further the medium of motion pictures by traveling the world, filming far-flung cultures and giving immensely popular lectures on his experiences abroad.  Patrick Loughney, Ph.D. touches on Mr. Holmes’ contribution to the world of motion pictures and discusses efforts to preserve a collection of his work.  Dr. Loughney is the Curator of Motion Pictures at the International Museum of Photography and Film at the George Eastman House as well as Director of The L. Jeffrey Selznick School of Film Preservation.  To learn more, please visit George Eastman House. To donate, please click Donate Now!

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Bold color and striking compositions are at the core of Pete Turner’s extraordinary vision.  Critic A.D. Coleman wrote of Turner’s work, “A dramatist’s sense of event, intense and saturated coloration, and a distinct if indescribable otherness are omnipresent in Turner’s images. You have seen his work in magazines and books, on record jackets, billboards, and posters–and as original, signed prints.” George Eastman House Associate Curator of Exhibitions Jeanne Verhulst discusses images that have influenced generations of photographers and continue to inspire the way we see. 

In 1959, an expedition from Capetown to Cairo was a turning point in Turner’s career. In 1967, The Metropolitan Museum of Art in New York exhibited “The Giraffe” from a 1964 expedition. A controversial image for the time, the giraffe, silhouetted against a brilliant red sky, illustrated his growing interest in treating color as a graphic element. A master colorist, he broke all the rules in a pre-computer era. Turner has continued his explorations of color and composition with a keen interest in the monumental point of view that often creates a surrealistic effect. 

Pete Turner: Empowered by Color is a traveling exhibition that gathers together 61 photographs representing all of the facets of Turner’s career, including early work from his first African expedition in 1959 to his latest work of architectural spaces in Mexico through 2005.

To learn more, please visit George Eastman House. To donate, please click Donate Now!

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Rick Hock, Director of Exhibitions of George Eastman House and Janet Infarinato, Copy Editor/Publications Coordinator of George Eastman House, discuss the exhibit Lucha Libre! Masked Mexican Wrestlers.

Lucha Libre! Masked Mexican Wrestlers is a spectacular selection of photographs, films, and artifacts from Mexico City that provide a journey through the real and imaginary world of the Mexican lucha libre (free form) wrestling scene. The images of Lucha Libre! Masked Mexican Wrestlers span more than six decades, integrating journalistic assignments, portrait photography, documentaries, and artistic projects.

With approximately 100 original prints and contemporary reproductions ranging from postcard size to photomurals, this impressively diverse exhibition includes three audiovisual projections and a film.

Created under the auspices of Fundación Televisa’s Visual Arts Division and George Eastman House, Lucha Libre! was curated by Orlando Jimenez and Alfonso Morales of Mexico City, who have both played a major role in the recent cultural reevaluation of wrestling in Mexico. 

To learn more, please visit George Eastman House. To donate, please click Donate Now!

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Todd Gustavson discusses the Lunar Orbiter Camera manufactured by Eastman Kodak, which is now a part of the George Eastman House International Museum of Photography and Film Technology Collection. As Curator of the Technology Collection, Mr. Gustavson curates one of the world’s largest collections of photographic and cinematographic equipment.  To learn more, please visit. To learn more, please visit George Eastman House. To donate, please click Donate Now!

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Friends of George Eastman House discuss their connections to the Museum and provide an overview of its collections, programs, and need for support. To learn more, please visit George Eastman House. To donate, please click Donate Now!


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Seeing Ourselves will introduce American audiences to historical and contemporary photographic masterpieces that were previously unknown to them, or familiar only as reproductions. The exhibition will be organized in broad and accessible subject-based groupings that represent more than 150 years of excellence. The groupings reflect the ways contemporary viewers know photography, thus linking their understanding of the present to the practices of the past. Seeing Ourselves gives broad public exposure and accessible context to the impact of photography on our nation. This travelling exhibition was assembled by and is discussed by Alison Nordstrom, who is the curator of Photographs at George Eastman House.


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In this episode, David Wooters discusses the iconic Powerhouse Mechanic by Lewis W. Hine. Mr. Wooters is the archivist of the photo collection and takes care of over 400,000 photographs within the collection.


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Ansel Adams is among the few photographers in all the history of photography whose name and work enjoy worldwide recognition. His stunning landscapes and intimate still lifes of nature continue to enthrall viewers. Adams’s ability to convey the power and grandeur of nature in a black-and-white photograph is astounding. This exhibition honors the man and celebrates his genius.
Jeanne Verhulst discusses some of her favorite works in the sold-out traveling exhibition Ansel Adams: Celebration of Genius. Ms. Verhulst is the associate curator of exhibitions at George Eastman House, International Center of Photography and Film.

MUSIC CREDITS:
All music is from the PodShow podsafe music network and can be found at http://www.music.podshow.com.
• Autumn Colors by Ritchie Hernandez. www.myspace.com/ritchiehernandez
• pound by Holding Back Entirely. www.holdingbackentirely.com/index2.html
• NANTES by Echo. www.myspace.com/echoarmando
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Grant Romer introduces us to the Photo Conservation Department at George Eastman House, International Museum of Photography and Film. Mr. Romer, the director of the Advanced Residency Program in Photograph Conservation discusses the importance of preserving the legacy of photography for future generations.
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David Wooters opens the photo vaults for us at George Eastman House, International Museum of Photography and Film. Mr. Wooters is the archivist of the photo collection and takes care of over 400,000 photographs within the collection. In this episode, Mr. Wooters introduces us to the birth of photography—the daguerrotype—and how the power of the medium has influenced life today.


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